publications

2023

1. Journal Issue

   

   RE-MIX: Creation and Alteration in DH

   Giovanni Colavizza, Lauren Fonteyn, Wout Dillen, and 4 more authors , eds.

   2023

   DH Benelux Journal 5

   HTML

2022

1. Journal Issue

   

   The Humanities in a Digital World

   Lorella Viola, Jelena Prokic, Antske Fokkens, and 5 more authors , eds.

   2022

   DH Benelux Journal 4

   HTML PDF DOI

2021

1. Journal Issue

   

   DH Benelux Online

   Antske Fokkens, Christian Gosvig Olesen, Wout Dillen, and 2 more authors , eds.

   2021

   DH Benelux Journal 3

   HTML PDF DOI
2. Preface

   

   Editors’ Preface

   Wout Dillen, Elli Bleeker, Laura Esteban-Segura, and 1 more author

   In Variants 15-16, Jul 2021

   Bib HTML PDF DOI

   @incollection{dillen_editors_2021,
     title = {Editors' {Preface}},
     copyright = {Creative Commons: CC-BY 4.0},
     doi = {10.4000/variants.1239},
     booktitle = {Variants 15-16},
     author = {Dillen, Wout and Bleeker, Elli and Esteban-Segura, Laura and Rosignoli, Stefano},
     month = jul,
     year = {2021},
   }

3. Journal Issue

   

   Textual Scholarship in the Twenty-First Century

   Wout Dillen, Elli Bleeker, Laura Esteban-Segura, and 1 more author , eds.

   Jul 2021

   Variants 15-16

   DOI

2020

1. Journal Issue

   

   Digital Humanities in Society

   Ingrid Mayeur, Claartje Rasterhoff, Wout Dillen, and 2 more authors , eds.

   Jul 2020

   DH Benelux Journal 2

   HTML PDF DOI

2019

1. Journal Issue

   

   Varia

   Wim Mierlo, Wout Dillen, Elli Bleeker, and 1 more author , eds.

   Jul 2019

   Variants 14

   HTML
2. Variants

   

   Refining our Conceptions of ’Access’ in Digital Scholarly Editing: Reflections on a Qualitative Survey on Inclusive Design and Dissemination

   Merisa Martinez, Wout Dillen, Elli Bleeker, and 2 more authors

   Variants: the Journal of the European Society for Textual Scholarship, Jul 2019

   Abs Bib HTML PDF DOI

   In this paper we explore layered conceptions of access and accessibility as they relate to the theory and praxis of digital scholarly editing. To do this, we designed and disseminated a qualitative survey on five key themes: dissemination; Open Access and licensing; access to code; web accessibility; and diversity. Throughout the article we engage in cultural criticism of the discipline by sharing results from the survey, identifying how the community talks about and performs access, and pinpointing where improvements in praxis could be made. In the final section of this paper we reflect on different ways to utilize the survey results when critically designing and disseminating digital scholarly editions, propose a call to action, and identify avenues of future research.

   @article{martinez_refining_2019,
     title = {Refining our Conceptions of 'Access' in Digital Scholarly Editing: Reflections on a Qualitative Survey on Inclusive Design and Dissemination},
     copyright = {Creative Commons: CC-BY},
     issn = {1573-3084},
     doi = {10.4000/VARIANTS.1070},
     language = {eng},
     number = {14},
     journal = {Variants: the Journal of the European Society for Textual Scholarship},
     author = {Martinez, Merisa and Dillen, Wout and Bleeker, Elli and Sichani, Anna-Maria and Kelly, Aodhan},
     year = {2019},
     pages = {41--74},
   }

3. Journal Issue

   

   Integrating Digital Humanities

   Julie Birkholz, Wout Dillen, Marijn Koolen, and 2 more authors , eds.

   Jul 2019

   DH Benelux Journal 1

   HTML PDF DOI
4. Conf Proc.

   Web Accessibility in Digital Scholarly Editing: Considerations from a Survey on Inclusive Design and Dissemination

   Wout Dillen

   In Digital Humanities 2019: Conference Proceedings, Dec 2019

   Bib DOI

   @inproceedings{dillen_web_2019,
     title = {Web {Accessibility} in {Digital} {Scholarly} {Editing}: {Considerations} from a {Survey} on {Inclusive} {Design} and {Dissemination}},
     copyright = {All rights reserved},
     url = {https://dataverse.nl/dataset.xhtml?persistentId=hdl:10411/KUXIVS},
     doi = {10.34894/K5YNBM},
     language = {eng},
     booktitle = {Digital {Humanities} 2019: {Conference} {Proceedings}},
     author = {Dillen, Wout},
     month = dec,
     year = {2019}
   }

5. Conf. Proc.

   IIIFarm. Teaching Image Interoperability on a Raspberry Pi Network of IIIF-Compliant Image Servers

   Wout Dillen, and Joshua Schauble

   In Digital Humanities 2019: Conference Proceedings, Dec 2019

   Bib DOI

   @inproceedings{dillen_iiifarm_2019,
     title = {{IIIFarm}. {Teaching} {Image} {Interoperability} on a {Raspberry} {Pi} {Network} of {IIIF}-{Compliant} {Image} {Servers}},
     copyright = {All rights reserved},
     url = {https://dataverse.nl/dataset.xhtml?persistentId=doi:10.34894/DMFX3X},
     doi = {10.34894/DMFX3X},
     language = {eng},
     booktitle = {Digital {Humanities} 2019: {Conference} {Proceedings}},
     author = {Dillen, Wout and Schauble, Joshua},
     year = {2019}
   }

6. Preface

   

   Editors’ Preface

   Wim Van Mierlo, Wout Dillen, and Elli Bleeker

   In Variants 14, Mar 2019

   Bib HTML PDF URL

   @incollection{mierlo_editors_2019,
     title = {Editors' {Preface}},
     booktitle = {Variants 14},
     copyright = {Creative Commons: CC-BY 4.0},
     url = {10.4000/variants.1544},
     author = {Mierlo, Wim Van and Dillen, Wout and Bleeker, Elli},
     month = mar,
     year = {2019},
   }

7. IJDH

   On Edited Archives and Archived Editions

   Wout Dillen

   International Journal of Digital Humanities, Jul 2019

   Abs Bib DOI

   Building on a longstanding terminological discussion in the field of textual scholarship, this essay explores the archival and editorial potential of the digital scholarly edition. Following Van Hulle and Eggert, the author argues that in the digital medium these traditionally distinct activities now find the space they need to complement and reinforce one another. By critically examining some of the early and more recent theorists and adaptors of this relatively new medium, the essay aims to shed a clearer light on some of its strengths and pitfalls. To conclude, the essay takes the discussion further by offering a broader reflection on the difficulties of providing a ‘definitive’ archival base transcription of especially handwritten materials, questioning if this should be something to aspire to for the edition in the first place.

   @article{dillen_edited_2019,
     title = {On Edited Archives and Archived Editions},
     volume = {1},
     copyright = {All rights reserved},
     issn = {2524-7840},
     doi = {10.1007/s42803-019-00018-4},
     language = {en},
     number = {2},
     journal = {International Journal of Digital Humanities},
     author = {Dillen, Wout},
     month = jul,
     year = {2019},
     pages = {263--277}
   }

2018

1. Chapter

   

   The Editor in the Interface: Guiding the User through Texts and Images

   Wout Dillen

   In Scholarly Digital Editions as Interfaces, Norderstedt, Jul 2018

   Abs Bib PDF URL

   In a way, the Graphical User Interface (GUI) can be regarded as the digital scholarly edition’s new paratext: not exactly part of the edited text itself, it still has an undeni- able impact on the way the user reads and understands the edition. This makes the interface an important place for the editor to convey her views on the materials the edition has to offer. Therefore, this paper focusses on the role the editor of the digital scholarly edition plays in guiding the user through its data, and helping her shape her interpretation of those data – arguing all the while that it is exactly in the interface that these interactions take place. Starting from Mats Dahlström’s proposal for digital scholarly editors to leave Ariadne threads to guide their users through the textual labyrinth of their digital scholarly editions, this paper suggests that Dante’s Divine Comedy might make a more appropriate allegory for the editorial model. Taking a cue from Dante’s ‘Virgil’ character, the editor may prefer to remain in the background of the edition, encouraging the user to be fully immersed in the edition’s data – only to quietly step more and more in the foreground as the user moves deeper and deeper into the edition and could arguably use more explicit guidance. After taking a more theoretical approach to this topic, the paper illustrates the kind of editorial decisions that may be involved while designing a digital scholarly edition by taking the Beckett Digital Manuscript Project (BDMP) as a case study. Walking the reader through the many tools and functionalities the BDMP has to offer, this paper explains how this editorial model would apply to the project, focusing especially on the changes the edition’s graphical user interface underwent as it was redesigned in November 2015.

   @incollection{dillen_editor_2018,
     location = {Norderstedt},
     series = {{SIDE}: {Schriften} des {Instituts} für {Dokumentologie} und {Editorik}},
     title = {The {Editor} in the {Interface}: {Guiding} the {User} through {Texts} and {Images}},
     copyright = {Creative Commons: CC-BY-SA},
     isbn = {978-3-7481-0925-9},
     shorttitle = {The {Editor} in the {Interface}},
     url = {https://kups.ub.uni-koeln.de/9111/},
     number = {12},
     booktitle = {Scholarly {Digital} {Editions} as {Interfaces}},
     publisher = {Books on Demand},
     author = {Dillen, Wout},
     editor = {Bleier, Roman and Bürgermeister, Martina and Klug, Helmut W. and Neuber, Frederike and Schneider, Gerlinde},
     year = {2018},
     pages = {35--59},
   }

2017

1. Conf. Proc.

   What You C(apture) is What You Get: Authenticity and Quality Control in Digitization Practices

   Wout Dillen

   In Advances in Digital Scholarly Editing: Papers Presented at the DiXiT Conferences in The Hague, Cologne, and Antwerp, Leiden, Jul 2017

   Bib PDF URL

   @inproceedings{dillen_what_2017,
     location = {Leiden},
     title = {What {You} {C}(apture) is {What} {You} {Get}: {Authenticity} and {Quality} {Control} in {Digitization} {Practices}},
     copyright = {All rights reserved},
     isbn = {978-90-8890-483-7},
     url = {https://www.sidestone.com/books/advances-in-digital-scholarly-editing},
     language = {eng},
     booktitle = {Advances in Digital Scholarly Editing: Papers Presented at the {DiXiT} Conferences in {The} {Hague}, {Cologne}, and {Antwerp}},
     publisher = {Sidestone Press},
     author = {Dillen, Wout},
     editor = {Boot, Peter and Cappellotto, Anna and Dillen, Wout and Fischer, Franz and Kelly, Aodhán and Mertgens, Andreas and Sichani, Anna-Maria and Spadini, Elena and Van Hulle, Dirk},
     year = {2017},
     pages = {397--400},
   }

2. Review Article

   

   Litteraturbanken: the Swedish Literature Bank

   Mats Dahlström, and Wout Dillen

   RIDE: A review journal for digital editions and resources, Sep 2017

   Abs Bib HTML PDF DOI

   Litteraturbanken (The Swedish Literature Bank) is a freely available digital collection of Swedish literary works, ranging from medieval to contemporary literature. It is the result of a cooperation between literary and linguistic scholars, research libraries, and editorial societies and academies. The collection consists not only of digital facsimiles, but of ocr’ed, proof-checked and TEI-encoded transcriptions as well, including EPUB and HTML versions of texts, and in addition scholarly presentations and didactic introductions to works and authors in the collection. It is also being used as a publishing platform for ongoing Swedish scholarly editing projects. Litteraturbanken currently comprises more than 2.000 works, mounting up to more than 100 million of machine-readable words. Litteraturbanken‘s main weak spot is transparency; it does not openly provide satisfactory ways to ensure the editors accountability for the edited texts and images. As a whole, however, Litteraturbanken is an impressive endeavour and paves the way for fruitful cooperation and massive data exchange with e.g. computational linguistics and bibliographic databases

   @article{dahlstrom_litteraturbanken_2017,
     series = {{RIDE}},
     title = {Litteraturbanken: the {Swedish} {Literature} {Bank}},
     volume = {6},
     copyright = {Creative Commons: CC-BY 4.0},
     issn = {2363-4952},
     doi = {10.18716/RIDE.A.6.2},
     language = {eng},
     journal = {RIDE: A review journal for digital editions and resources},
     author = {Dahlström, Mats and Dillen, Wout},
     month = sep,
     year = {2017},
     pages = {1--33},
   }

3. Conf. Proc.

   Editing Copyrighted Materials: on Sharing What You Can

   Wout Dillen

   In Advances in Digital Scholarly Editing: Papers Presented at the DiXiT Conferences in The Hague, Cologne, and Antwerp, Leiden, Sep 2017

   Bib URL

   @inproceedings{dillen_editing_2017,
     location = {Leiden},
     title = {Editing Copyrighted Materials: on Sharing What You Can},
     copyright = {All rights reserved},
     isbn = {978-90-8890-483-7},
     url = {https://www.sidestone.com/books/advances-in-digital-scholarly-editing},
     language = {eng},
     booktitle = {Advances in Digital Scholarly Editing: Papers Presented at the {DiXiT} Conferences in {The} {Hague}, {Cologne}, and {Antwerp}},
     publisher = {Sidestone Press},
     author = {Dillen, Wout},
     editor = {Boot, Peter and Cappellotto, Anna and Dillen, Wout and Fischer, Franz and Kelly, Aodhán and Mertgens, Andreas and Sichani, Anna-Maria and Spadini, Elena and Van Hulle, Dirk},
     year = {2017},
     pages = {391--396}
   }

4. Blogpost

   

   ER1 - Reminiscing on a Year of DiXiT

   Wout Dillen

   dixit.hypotheses.org , Oct 2017

   Bib Blog

   @misc{dillen_er1_2017,
     title = {{ER1} - {Reminiscing} on a {Year} of {DiXiT}},
     copyright = {Creative Commons: CC-BY},
     language = {eng},
     author = {Dillen, Wout},
     month = oct,
     year = {2017},
   }

5. Conf. Report

   Digital Scholarly Editing: Theory, Practice, Methods: Conference of the European Society for Textual Scholarship in conjunction with the Digital Scholarly Editions Initial Training Network (DiXiT), University of Antwerp, 5-7 October 2016

   Wout Dillen, and Dirk Van Hulle

   Dec 2017

   Bib DOI

   @article{dillen_digital_2017,
     title = {Digital Scholarly Editing: Theory, Practice, Methods: Conference of the {European} {Society} for {Textual} {Scholarship} in conjunction with the {Digital} {Scholarly} {Editions} {Initial} {Training} {Network} ({DiXiT}), {University} of {Antwerp}, 5-7 {October} 2016},
     volume = {31},
     copyright = {All rights reserved},
     issn = {0931-3079},
     url = {https://www.degruyter.com/document/doi/10.1515/editio-2017-0014/html},
     doi = {10.1515/EDITIO-2017-0014},
     language = {eng},
     author = {Dillen, Wout and Van Hulle, Dirk},
     month = dec,
     year = {2017},
     pages = {247--253}
   }

6. Ed. Vol.

   Advances in Digital Scholarly Editing: Papers Presented at the DiXiT Conferences in The Hague, Cologne, and Antwerp

   Peter Boot, Anna Cappellotto, Wout Dillen, and 6 more authors , eds.

   Dec 2017

   PDF URL
7. Conf. Proc.

   

   Refining our Concept of ‘Access’ for Digital Scholarly Editions: A DiXiT Panel on Accessibility, Usability, Pedagogy, Collaboration, Community and Diversity.

   Anna-Maria Sichani, Wout Dillen, Merisa Ariel Martinez, and 2 more authors

   In Digital Humanities 2017: Conference Abstracts, Montreal, QC, Canada, Dec 2017

   Bib PDF DOI

   @inproceedings{sichani_refining_2017,
     location = {Montreal, QC, Canada},
     title = {Refining our {Concept} of ‘{Access}’ for {Digital} {Scholarly} {Editions}: {A} {DiXiT} {Panel} on {Accessibility}, {Usability}, {Pedagogy}, {Collaboration}, {Community} and {Diversity}.},
     copyright = {Creative Commons: CC-BY 4.0},
     doi = {10.17613/M6BJ7D},
     booktitle = {Digital {Humanities} 2017: {Conference} {Abstracts}},
     author = {Sichani, Anna-Maria and Dillen, Wout and Martinez, Merisa Ariel and Kelly, Aodhán and Bleeker, Elli},
     year = {2017},
     pages = {127--129},
   }

8. Blogpost

   

   Report: Historical Source Edition 2.0 conference

   Wout Dillen

   dixit.hypotheses.org , Oct 2017

   Bib Blog

   @misc{dillen_report_2017,
     title = {Report: {Historical} {Source} {Edition} 2.0 conference},
     copyright = {Creative Commons: CC-BY 4.0},
     language = {eng},
     author = {Dillen, Wout},
     month = oct,
     year = {2017},
   }

2016

1. Conf. Proc.

   Sequentiality in Genetic Digital Scholarly Editions: Models for Encoding the Dynamics of the Writing Process

   Wout Dillen

   In Digital Humanities 2016: Conference Abstracts, Oct 2016

   Bib HTML

   @inproceedings{dillen_sequentiality_2016,
     title = {Sequentiality in {Genetic} {Digital} {Scholarly} {Editions}: {Models} for {Encoding} the {Dynamics} of the {Writing} {Process}},
     isbn = {978-83-942760-3-4},
     language = {eng},
     booktitle = {Digital {Humanities} 2016: Conference Abstracts},
     author = {Dillen, Wout},
     year = {2016},
     pages = {174--175}
   }

2. Blogpost

   

   Digital Scholarly Editing and Memory Institutions

   Wout Dillen

   dixit.hypotheses.org , Oct 2016

   Bib Blog

   @misc{dillen_digital_2016,
     title = {Digital {Scholarly} {Editing} and {Memory} {Institutions}},
     copyright = {Creative Commons: CC-BY 4.0},
     language = {eng},
     author = {Dillen, Wout},
     year = {2016},
   }

3. Ecdotica

   Il Lexicon of Scholarly Editing: una bussola nella Babele delle tradizioni filologiche

   Wout Dillen, Elena Spadini, and Monica Zanardo

   Ecdotica, Oct 2016

   Bib DOI

   @article{dillen_il_2016,
     title = {Il {Lexicon} of {Scholarly} {Editing}: una bussola nella {Babele} delle tradizioni filologiche},
     volume = {13},
     copyright = {All rights reserved},
     issn = {1825-5361},
     language = {ita},
     journal = {Ecdotica},
     author = {Dillen, Wout and Spadini, Elena and Zanardo, Monica},
     year = {2016},
     pages = {169--198},
     doi = {10.7385/99241}
   }

4. Blogpost

   

   Bridging the Babel of Textual Criticism: Lexicographical Approaches to Encompassing a Multilingual Research Field

   Wout Dillen

   www.fontegaia.hypotheses.org , May 2016

   Bib Blog

   @misc{dillen_bridging_2016,
     title = {Bridging the {Babel} of {Textual} {Criticism}: {Lexicographical} {Approaches} to {Encompassing} a {Multilingual} {Research} {Field}},
     copyright = {Creative Commons: CC-BY 4.0},
     language = {eng},
     author = {Dillen, Wout},
     month = may,
     year = {2016},
   }

5. DSH

   Digital Scholarly Editing Within the Boundaries of Copyright Restrictions

   Wout Dillen, and Vincent Neyt

   Digital Scholarship in the Humanities, May 2016

   Abs Bib DOI

   One of the great advantages the digital medium has to offer the field of scholarly editing is that it makes its products much easier to distribute. No longer bound to a shelf, the Digital Scholarly Edition has the potential to reach a much wider audience than a printed edition could. To a certain extent, however, the nature of the materials textual scholars are working with dictates the perimeters within which this dissemination can take place. When working with modern manuscripts, for instance, copyright restrictions may limit the extent to which a project can distribute its resources. In an academic climate where open access is not only becoming a standard, but in some cases even a requirement for receiving funding, such limitations may be perceived as problematic. In this article, we argue that even within the boundaries of copyright restrictions there can still be room to produce and distribute the results of textual scholarship. Therefore, the article zooms in on the way in which different Digital Scholarly Editions of copyrighted materials deal with this issue, using the Beckett Digital Manuscript Project (BDMP; www.beckettarchive.org) and Woolf Online (www.woolfonline.com) as case studies. To conclude, we investigate other strategies that may be used to share as much research data as we are allowed to, e.g. by sharing metadata and ancillary data, or by using the fair use doctrine to circumvent the problem. Case studies used for this aspect of the article include ModNets (www.modnets.org), the BDMP Encoding Manual (www.beckettarchive.org/encodingmanual), the Lexicon of Scholarly Editing (http://uahost.uantwerpen.be/lse), and the Finnegans Wake Extensible Elucidation Treasury (FWEET; www.fweet.org).

   @article{dillen_digital_2016-1,
     title = {Digital Scholarly Editing Within the Boundaries of Copyright Restrictions},
     volume = {31},
     copyright = {All rights reserved},
     url = {https://academic.oup.com/dsh/article-abstract/31/4/785/2669680?redirectedFrom=fulltext},
     doi = {10.1093/llc/fqw011},
     language = {eng},
     number = {4},
     journal = {Digital Scholarship in the Humanities},
     author = {Dillen, Wout and Neyt, Vincent},
     year = {2016},
     pages = {785--796},
   }

2015

1. Blogpost

   A Lexicon of Scholarly Editing

   Wout Dillen

   Book History Network , Feb 2015

   Bib Blog

   @misc{dillen_lexicon_2015,
     title = {A {Lexicon} of {Scholarly} {Editing}},
     copyright = {All rights reserved},
     language = {eng},
     author = {Dillen, Wout},
     month = feb,
     year = {2015}
   }

2. Manuscritica

   

   "(Hiatus in MS.)" : towards a TEI compliant typology of textual lacunae in Samuel Beckett’s manuscripts

   Wout Dillen

   Manuscritica, Sep 2015

   Abs Bib PDF DOI

   Abstract: As is the case with so many first drafts, some of Beckett’s manuscripts still contain gaps: zones in the text that are either left completely blank, or are otherwise indicated to be filled in at a later stage in the writing process. Such gaps are interesting milestones for any genetic critic, because they may indicate a hesitation on the author’s part during the writing process: a name not yet decided on, a word or phrase that needs fine-tuning, etc. In Beckett’s case, these gaps are especially significant, because they feature so prominently in his published works as well: from the startling “(Hiatus in MS.)” in his early novel Watt to the phrase “and here a word he could not catch” in his last prose text Stirrings Still, narrative pauses, interruptions, and false starts have undoubtedly become a leitmotif throughout Beckett’s oeuvre. Encoding Beckett’s own hiatuses for a digital edition of his manuscripts, however, poses a problem. While the TEI’s <gap> element may intuitively seem like the perfect match, the description of the <space> element is in fact more closely related to the textual feature we wish to encode. And although these gaps/spaces will invariably differ in appearance (a blank space; an indented string of characters; a symbol of some kind; etc.) and motivation (inadequacy; indecisiveness; etc.), the TEI does not yet allow either of these elements to be classified further through the @type attribute. Using the manuscripts of Beckett’s Malone meurt as a case study, this paper makes a case for the TEI’s <space> element to be added to the att.typed class (a feature request for which was approved while writing this paper), and makes a first attempt at a typology of Beckett’s use of hiatuses in his manuscripts.

   @article{dillen_hiatus_2015,
     title = {"({Hiatus} in {MS}.)" : towards a {TEI} compliant typology of textual lacunae in {Samuel} {Beckett}'s manuscripts},
     volume = {28},
     copyright = {Creative Commons: CC-BY 4.0},
     issn = {1415-4498},
     url = {https://www.revistas.usp.br/manuscritica/article/view/177806},
     doi = {10.11606/issn.2596-2477.i28p65-73},
     language = {eng},
     journal = {Manuscritica},
     author = {Dillen, Wout},
     month = sep,
     year = {2015},
     pages = {65--73},
   }

3. PhD Thesis

   Digital Scholarly Editing for the Genetic Orientation : the Making of a Genetic Edition of Samuel Beckett’s Works

   Wout Dillen

   Universiteit Antwerpen, Faculteit Letteren en Wijsbegeerte, Departement Letterkunde, Sep 2015

   URL
4. Ed. Vol.

   

   DHBenelux 2. Book of Abstracts for the Second Digital Humanities Benelux Conference

   Jun 2015

   Abs Bib PDF DOI

   The official Book of Abstracts with programme of the second edition of DH Benelux (8-9 June 2015 in Antwerp, Belgium).

   @collection{bleeker_dhbenelux_2015,
     title = {{DHBenelux} 2. {Book} of {Abstracts} for the {Second} {Digital} {Humanities} {Benelux} {Conference}},
     copyright = {Creative Commons: CC-BY 4.0},
     url = {https://zenodo.org/records/1009527},
     language = {eng},
     urldate = {2024-08-22},
     publisher = {University of Antwerp},
     editor = {Bleeker, Elli and Crombez, Thomas and Daelemans, Walter and Deroo, Katrien and Dillen, Wout and Janssens, Ellen and Jongepier, Iason and Kelly, Aodhán and Kestemont, Mike and Noordermeer, Trudi and Scheltjens, Saskia and Verhoeven, Ben and Van Hulle, Dirk},
     month = jun,
     year = {2015},
     doi = {10.17613/M6ZB9P},
     keywords = {Digital Humanities},
   }

5. Conf. Proc.

   

   Digitization and Exogenesis

   Ronan Crowley, Tom De Keyser, Wout Dillen, and 2 more authors

   In , Antwerp, Jun 2015

   Bib PDF

   @inproceedings{crowley_digitization_2015,
     location = {Antwerp},
     title = {Digitization and {Exogenesis}},
     copyright = {Creative Commons: CC-BY 4.0},
     publisher = {University of Antwerp},
     author = {Crowley, Ronan and De Keyser, Tom and Dillen, Wout and Neyt, Vincent and Van Hulle, Dirk},
     month = jun,
     year = {2015},
     pages = {28--29},
   }

6. Conf. Proc.

   

   A Lexicon of Scholarly Editing (Demo)

   Wout Dillen

   In , Antwerp, Jun 2015

   Bib PDF

   @inproceedings{dillen_wout_lexicon_2015,
     location = {Antwerp},
     title = {A {Lexicon} of {Scholarly} {Editing} ({Demo})},
     copyright = {Creative Commons: CC-BY 4.0},
     publisher = {University of Antwerp},
     author = {Dillen, Wout},
     month = jun,
     year = {2015},
     pages = {125},
   }

2014

1. Review Article

   Patrick Sahle: Digitale Editionsformen: zum Umgang mit der Uberlieferung unter den Bedingungen des Medienwandels

   Wout Dillen

   In Bibliothek : Forschung und Praxis, Mar 2014

   Bib DOI

   @incollection{dillen_patrick_2014,
     title = {Patrick {Sahle}: {Digitale} {Editionsformen}: zum {Umgang} mit der {Uberlieferung} unter den {Bedingungen} des {Medienwandels}},
     volume = {38},
     copyright = {All rights reserved},
     url = {https://www.degruyter.com/document/doi/10.1515/bfp-2014-0009/html},
     doi = {10.1515/bfp-2014-0009},
     language = {eng},
     number = {1},
     booktitle = {Bibliothek : {Forschung} und {Praxis}},
     author = {Dillen, Wout},
     month = mar,
     year = {2014},
     issn = {0341-4183},
     pages = {156--160}
   }

2. SBT/A

   "I CAN MAKE NOTHING OF IT" : Beckett’s Collaboration with Merlin on the English Molloy

   Pim Verhulst, and Wout Dillen

   Samuel Beckett Today/Aujourd’hui: an Annual Bilingual Review, Mar 2014

   Abs Bib

   When the English Molloy was published in 1955, jointly by Olympia (Paris) and Grove (New York), a long and difficult translation process had ended, on which Beckett worked both alone and together with Merlin and Patrick Bowles. This article is the first attempt to approach this somewhat neglected topic by way of manuscripts, notebooks, letters and other related materials, in order to establish a basic chronology of the English Molloy. In so doing, our purpose is to shed more light on a relatively obscure period in Beckett’s literary career and examine critically the role of each party involved.

   @article{verhulst_i_2014,
     title = {"{I} {CAN} {MAKE} {NOTHING} {OF} {IT}" : {Beckett}'s {Collaboration} with {Merlin} on the {English} {Molloy}},
     volume = {26},
     copyright = {All rights reserved},
     issn = {0927-3131},
     language = {eng},
     journal = {Samuel Beckett Today/Aujourd'hui: an Annual Bilingual Review},
     author = {Verhulst, Pim and Dillen, Wout},
     year = {2014},
     pages = {107--120}
   }

2013

1. Style

   Stretching the Boundaries of Narrativity on Stage: a Narratological Analysis of Paula Vogel’s The Baltimore Waltz and Hot ’N’ Throbbing

   Wout Dillen

   Style, Mar 2013

   Bib Jstor

   @article{dillen_stretching_2013,
     title = {Stretching the {Boundaries} of {Narrativity} on {Stage}: a {Narratological} {Analysis} of {Paula} {Vogel}'s <i>{The} {Baltimore} {Waltz}</i> and <i>{Hot} '{N}' {Throbbing}</i>},
     volume = {47},
     copyright = {All rights reserved},
     issn = {0039-4238},
     jstor = {https://www.jstor.org/stable/10.5325/style.47.1.69},
     language = {eng},
     number = {1},
     journal = {Style},
     author = {Dillen, Wout},
     year = {2013},
     pages = {69--86}
   }

2012

1. Journal Issue

   Texts Beyond Borders: Multilingualism and Textual Scholarship

   Wout Dillen, Caroline Mace, and Dirk Van Hulle , eds.

   Mar 2012

   Variants 9

   URL